The first time I heard Dark Side of the Moon, I really didn't know what all the fuss was about. In the years since, I have learnt to love why so many people the world over have loved and loved this album again. Starting with a heartbeat, this album pulsates with emotion - real, raw, emotion - from beginning until its heart-beating end.


So why has Dark Side of the Moon had such long lasting success? When the album was first made, Pink Floyd had lost the main lyricist and protagonist of the band - Syd Barrett - only recently, and the previous albums (particularly Meddle), had been filled largely by long, psychedelic instrumental pieces. But out of this came an album that explored the human experience as completely as it could on its two sides. With the album looking at greed, insanity, and death, it is hardly surprising that the album has maintained a strong and growing fan base from one generation to the next.


When Dark Side of the Moon first came out, it was well received by critics and fans alike, but held the top spot of the US charts for only one week. However this was merely the beginning of the story. Dark Side of the Moon stayed in the Billboard 200 for an amazing and unsurpassed 736 weeks, selling 40 million copies worldwide (more than 770,000 copies in Australia).


The album moved on from the instrumental psychedelic soundscapes of the previous album, adding in pop values while still maintaining a great deal of depth in its lyrics. By far the best-known song from the album is Money - the great dedication to the curse of the modern world. But the album is what has the lasting appeal - the way each song flows into the next so perfectly. The album marks a turning point for psychedelic and underground music, bringing once and for all into the mainstream. It has been both the conscious and subconscious influence for literally countless bands, and has proven that intelligent and challenging music does not need to exist of the fringe but can be loved, adored in fact, by the masses.


Dark Side of the Moon holds a particularly strong place in the hearts of Australians. In 2006, ABC viewers and listeners voted it as their favourite album.


Plus, in case I haven't sold the album on its merits alone, Dark Side of the Moon is also the subject of one of the coolest rumours in rock music - Dark Side of the Rainbow . The idea, for those not familiar, is that if you play the album at the same time as watching the Wizard of Oz (from the MGM Lion's third roar) you will notice how much the music matches up to what is on screen. Ever since the rumour first appeared, the band has denied any conspiracy, but it is still fun to check it out (link) and see whether you believe the way it fits is planned or merely a coincidence.


So, in honour of this amazing concept album, one of the most successful albums of all time and undoubtedly the reason Pink Floyd will be remembered far longer than many of their contemporaries, here is my favourite song from the album, the song that, without words, tackles death and what we may experience in the life hereafter, The Great Gig in the Sky.




The new Wolfmother track - Back Round -  has hit the radio today and Wolfmother have offered it free from their website


Heres a little of them absolutley destroying the speakers at the SCG @ Sound Relief 




Jump over to Wolfmother.com for your free .mp3

Some New Songs

Here are a few tunes that we thought you might be interested in having a listen to:

Placebo - Battle for the Sun – the new track and title song for the upcoming album “Battle for the Sun”



N.A.S.A - Gifted (feat Kanye, Santogold & lykke li) – very cool collaborative work, and it is nice to hear Kanye without AutoTune.



Basement Jaxx – She’s No Good – the new track from Basement Jaxx.


Shes No Good - Basement Jaxx

Lykke Li vs Rodeo Remix – Knocked Up (Kings of Leon cover) – this isn’t incredibly new, but I Kings of Leon fever is going around at the moment so we thought it was timely to post this Lykke Li cover.



If you hear any new (or old) songs that you think your fellow TwoBears readers might be into, send us a comment and we will work it into the blog.

Later,

CB



Hey guys

The Australian leg of TheV Festival kicks off in Sydney this weekend for another year.


Line up this year includes:


The Killers, Snow Patrol, Kaiser Chiefs, Duffy, Elbow,  The Human League,  Razorlight,, The Kills, M83, Howling Bells, Tame Impala, Children Collide, Temper Trap & many many many more.


Maps and Timetables can be found at Fasterlouder.com.au 


I’ll be there so come on down and say hi and throw me a cheeky Smirnoff!


VB



The brand spankin new lineup for We Love Sounds 2009


Additions include (these are HUGE):

Armin Van Buuren (5 hr set)

Armand Van Helden

James Zabiela

Laidback Luke

Chris Lake

Kissy Sell Out (live) 

Guy Gerber (live)

16 Bit Lolitas

Popof 

Dirty South

Grafton Primary (live)

Bobmo (Institubes) 

Mathew DeKay

Headman

Pivot 

Anja Schneider 

Justin Martin 

Sascha Funke 

Inflagranti (live)

Guns N Bombs 

Danger (live)

Passions

Hijack

Bang Gang

Ajax

Aston Shuffle

Sampology

Bag Raiders

Miami Horror (live)

Van She Tech

Trashbags Posse DJs

Canyon

Emerson Todd

Robbie Lowe

Source: TheVine



Its that time of year again, the winter festival season is just swinging into action with tickets going on sale today for the We Love Sounds Festival 2009

Line up (so far):

Armin Van Buuren - rumours of him having a entire arena dedicated to himself
Laidback Luke - Sweedish House Mafia
James Ziebiela 
Armand Van Helden 

1st release tickets sold out at $102, 2nd release tickets to go on sale tomorrow at $118

Get in quick to miss out, Inthemix.com.au or Ticketek.com.au 



Looks like Kanye and his entourage could be heading to the slammer for a different kind of 'Love Lockdown'.

Rap superstar Kanye West could face 30 months in prison if convicted for criminal charges stemming from an altercation with paparazzi at Los Angeles International Airport last year.

West, and manager Don Crawley, were charged with six misdemeanours, including vandalism, battery and grand theft after they confronted photographers from celebrity website TMZ.

West allegedly snatched a camera out of one of the photographer’s hands and smashed it on the ground, with Crawley following suit shortly after, allegedly smashing another camera.
It is said that West also broke the light on a video camera filming the fracas, and it is believed the footage capturing the altercation could be used in court.
Later, both men were arrested, and released shortly after.

West could face two and a half years in prison if convicted on all counts – Crowley could receive up to five years.

Both men are scheduled for court on April 14. 

Pic Source: Live News.com.au





Kings of Leon sauntered on stage, with a swagger and a confidence that I have never seen in them the few times I’ve seen them on stage. This truly marked the reign of the new Kings. Cruising into ‘Crawl’, the Entertainment Centre in Sydney’s CBD lit up and the crowd exploded. It was a new crowd too – younger, with many, many, many more ladies in the crowd and they were all genuinely excited, which is totally refreshing.  


How do you follow up a heavy bass driven tune like “Crawl”? You throw in a classic from the back catalogue. ‘ Taper Jean Girl’ got the mosh heaving up and down and the crowd on its feet, which really wasn’t too hard - the crowd was out of their seats all night! The Kings pushed through the tracks efficiently and the 90 minutes seemed to just disappear, leaving myself and CB wanting more. Sadly for CB, they didn’t play his favourite tune ‘Soft’ which left him a little devastated but the encore was worth the wait, with the band we were treating us to ‘Charmer’, ‘Knocked Up’ and 'Manhattan'.


The Kings were a new band last night, with a whole new attitude. They played their best bits of their best songs to the best crowd.  The boys treated us to a greatest hits collection and its something they should be proud of. In fact, if I wasn’t so poor I’d go running back to see them tonight. From the class of 2003, which featured The Strokes & Franz Ferdinand, these guys were the first to sell out stadiums and headline Glastonbury. Based upon last night’s performance, its easy to see why. 


VB

Pic Source: Triple M



The last time they graced our shores with their fearless presence there was animal suits, fake blood and a man-sized plastic bubble. It has taken us five years to recover, but at long last The Flaming Lips are returning to Australia.


There is no easy way to describe a live show from Oklahoma’s psych-rock Gods, whose lead-singer Wayne Coyne mesmerises his audiences with a performance akin to an acid-fuelled, dancing Jesus. Their visceral live performances even led Q Music to declare The Flaming Lips one of their ‘50 Bands To See Before You Die’.


Since their last trip to our shores the band have released 2006’s resplendent At War With The Mystics and THE stoner movie of 2008, Christmas On Mars – a film which not only stared the band and their friends but which was written and directed entirely by Coyne.


With a new album scheduled for release in June these Flaming Lips shows are simply not to be missed:


Tue 28th Jul – Hordern Pavilion, Sydney

Wed 29th Jul – Festival Hall, Melbourne


Tickets on sale Thursday April 2nd at 9am.


Source: Inthemix.com.au


Sound Relief at the historical SCG will be remembered for the rain, the good times and the return but most of all it will be tattooed as a proud day in Australian history as a day where the Australian spirit again shone so brightly. This review will focus on the music but Sound Relief was a day, which honoured and remembered the victims & heroes of the Victorian Bushfires and Queensland Floods. If you still haven’t donated please donate just a little, Fires & Floods. 


Coldplay were the first of 14 acts to shake the SCG.  The crowd were slow to arrive typically fashionably late Sydney style, and those inside at kickoff were treated to a stadium sized version of ‘Yellow’ complete with giant yellow balloons which have been seen at every Coldplay concert recently but seemed to add an extra special feel to the day. 

Coldplay would churn out ‘Clocks’ a historical duet with Australian music’s godfather John Farnham ‘You’re the Voice’ before finishing with a remarkable and epic version of ‘Fix You’.  This felt so suitable to a day that to many could have been such a raw experience. 



Wolfmother returned on perhaps no bigger stage then the SCG next. They would roll out each hit ‘Joker & Thief’, ‘Colossal’ & ‘Woman’ but opened with a superb new tune which will hopefully hear a full studio version of very soon.

The mid-afternoon was a mixed bag. We saw the Hoodoo Guru’s showcase classic Aussie rock with a fine greatest hits collection while Little Birdy returned to the spotlight after time away. While I found these guys to be spectacularly boring, the crowd seemed to peeter out of the arena while they were on to. 

Architecture in Helsinki were next to shake and rattle the SCG and I was incredibly impressed with these guys. I had given them a bad wrap for a long time, just ask CB. AIH put on a spectacular show including a choreographed dance, which was nice to see a band going the extra mile to add a touch of joy to their performance. They busted out That Beep, ‘The Whirlwind’ and other staples from the AIH catalogue, a thoroughly enjoyable 30 minutes which will hopefully see them take the next step.

You Am I & Josh Pyke hit the stage mid afternoon but no one seemed to care too much but both delivered solid sets, You Am I maybe a little too rowdy for such a day one might think.

Taylor Swift swaggered on stage and just about every girl 21 and under screamed their hearts out, it’s a surprise the SCG didn’t shatter. I couldn’t tell you one song she played, cause its not really my scene but she seemed to go down a treat.

As the sun went down and the skies darkened over the SCG, Eskimo Joe returned to the stage with some new material and some old favourites, this Bear only really caught ‘Black Fingernails Red Wine’ which was a corker but the rest didn’t seem too interesting. Sorry Joe. Jet was perhaps the most unanticipated return of the day but for me definitely the most interesting. They smashed out every classic in their catalogue, whole two albums, but it made for a truly wild 45 minutes under lights at the SCG. Who would have ever thought you would be in the middle of the SCG surrounded by thousands of people with Jet on stage?

Toni Collete would introduce the minute of silence which for the most part was successful, its such a shame that the lads cant hold their beer and have to be so disrespectful while showing of to their mates. Kylie would step on stage in Melbourne and sing a spine tingling version of ‘I Still Call Australia Home’ which was broadcast to us via giant video screens side of stage, with followed by a video from Prince William & Harry sending their condolences.  Kinda odd I know. The most spectacular and special musical moment of the day belonged to the Presets.  As they stepped on stage mother nature, obviously a huge fan, decided to send down a massive thunder and lighting storm which lit up the SCG, this was followed by torrential rain which made the show even better. You had to experience this to believe how amazing this was, dancing in the middle of the SCG surrounded by lighting, booming thunder, and rain that soaked you to the bone, it was special and simply awesome. The moment the Presets finished myself and CB left, the whole getting home and being dry seemed a little bit more exciting than Barry Gibb (no disrespect Barry if your reading this) . Bravo Sound Relief.

Sound Relief was special, it was a day where the lads & ladettes were present but respectfully (most of the time) they managed to tone their behaviour down and everyone embraced the spirit of the day. It was a day of celebration and relief but also one of respect and mourning, this was done subtly and throughout the whole day there was no suggestions or thoughts of donations (apart from the price of our tickets) and the bands brought their best on a whims notice.

Till next time

VB & CB!

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