Showing posts with label Mike Skinner. Show all posts
Showing posts with label Mike Skinner. Show all posts

In a similar vein to a previous post looking at ageing rockers, I have been thinking recently about the virtues of artists or bands that choose to (or are forced to) retire after only one album. Those who are forced are generally speaking called "one-hit wonders", and while this is accurate it often comes with a negative connotation, an expectation that they should have gone on to make many more popular songs, why should artists not be happy that they have been able to make even one good song considering how many of us will never come close?


Not to deny that there is a lot of good music (we wouldn't be writing this blog if there wasn't), there is a difference between goodness and greatness, and a difference between greatness and genius. Amidst the thousands upon thousands of bands and artists that have come and gone, there are only a few that have demonstrated genius over a long time.


Music is literally everywhere today. The rise of the iPod has allowed people to easily create a soundtrack to their lives, and it is easier than ever before for people to create music in the comfort of their own home. In this climate of musical saturation many artists can release multiple albums off the back of one good song, and thanks to commercialism we will continue to buy the albums as they come out. While I believe that pop music is the most guilty of this crime, rock, indy, and electronica all fall foul of repetition.


I personally like the idea of artists or bands setting themselves an end date for their musical career. The Streets is a prominent example, with Mike Skinner having announced early in the bands career that they would be releasing only 5 albums. I am sure that Mike will stay in music, but to have the conviction to call it quits on his own terms is admirable.


Sometimes bands are given their opportunity to quit while they are ahead, and yet ambition, pressures from others, or even greed push them to do one more song, album, or tour. There has been a rash of old rockers returning to the scene in recent years, and I simply cannot see how this improves their image (I am not talking about those artists who have been performing for decades, but rather those who have disbanded for 10 or 20 years only to return in mediocrity).


And then there are bands who make one amazing album, implode, leaving one or two members to pick up the pieces and try and make it work again. INXS was never the same after Hutchence's death. And while I would desperately love to be proven wrong, I fear that the reincarnated Wolfmother will pail in comparison to that amazing first album (although I am a fan of the new single).


So what do you think? Should artists call it quits after one good song, album, or decade? Or should all artists be allowed to continue producing music as long as someone is willing to record it?


CB


"Can you see me? Can you hear me?"
Mike Skinner, Forum Theatre, Sydney, 05/02/09


I am crouched in the front row of the Forum Theatre, being crushed by the crouching masses behind me, and I couldn't be happier. The beat comes back up, and our fearless leader, Mike Skinner, rises from the ground, setting off a frenzy of dancing from the crowd and, yes, me.


I have seen The Streets once before at Big Day Out 2007, and even then Mike and his talented support crew proved to me their ability to get a crowd going. But his performance at the Forum Theatre was a completely different beast and anyone at the gig who says they didn’t feel personally involved in the fun is a liar. FACT.


Unsurprisingly, about half of the track list for the night came from the latest album, Everything is Borrowed, with the title track leading the band out and other tracks such as The Escapist, Heaven for the Weather and On the Edge of a Cliff scattered throughout. The remainder of the set list comprised of a mix of the group's three previous albums, including crowd favourites Don't Mug Yourself, Let's Push Things Forward, Fit But You Know It, and Dry Your Eyes. Mike Skinner's vocally talented right hand man, Kevin Mark Trail, even pleased the crowd with a rendition of Glasvegas' Daddy’s Gone.


The Forum Theatre was a great venue for such a lively show, with the feeling of intimacy adding to the experience.


Mike Skinner has proven once again that he is a master of showmanship - whether it was a knowing look to a fan on the top balcony, or attempting to throw a full cup of beer two metres to the girl in the front row (and one time succeeding), he could do little wrong.


So, just because I was in the mood, here is some live Streets for you:





CB

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