Showing posts with label U2. Show all posts
Showing posts with label U2. Show all posts

In the past few weeks, a lot has been made of Chris Martin. U2's Bono called him a 'cretin' on BBC Radio, which has raised the long lasting question of where Coldplay stands in the list of "world's biggest band". As Coldplay's fearless leader, Martin has been charged with proving why this group of friends, originally from London, deserve the titles of greatness that have been placed upon them since their early days. I am here to tell you that he manages this feat with charm, confidence and the full support of each member of the band.

At the Acer Arena (formerly the Superdome) at Sydney's Olympic Park, Coldplay reinvigorated my love for not just one or two songs, but their entire catalogue. This was partially done by changing the formula of classics (a more up tempo version of Yellow, and a minimalist, electro version of God Put A Smile On Your Face are two great examples), but mostly from the energy that the band continues to bring to every track. This also shows how Coldplay continue to remain relevant and that’s through adaptation. Of course this could have turned sour - changing a good thing could shock the loyal fans into demons - but thankfully the boys know their audience well enough to push and pull just enough.

Decked out in very cool, Napoleonic military inspired outfits, Coldplay played a set that jumped through all 4 of their albums, as well as dipping into their latest EP, Prospekt's March. The focus was definitely upon Viva la Vida, but there was never a question that the songs that made the band huge - Yellow, The Scientist, Clocks, Fix You - were going to get a play.

The show was choreographed perfectly to bring the crowd to higher and higher still levels of euphoria. Apart from the main stage, there were two runways into the crowd which were used on numerous occasions during the performance (including a beautiful spot lit piano solo by Chris Martin.) During Yellow, confetti filled balloons poured into the crowd, and later still during the show fluorescent coloured, butterfly shaped paper fluttered through the air. However the show stopper was definitely when the crowd walked off the stage, and into the crowd to a mini-stage, previously unnoticed amongst the seats. Between songs played here (including a cover of The Monkees' 'I'm a Believer'), Chris Martin regaled the crowd with a witty, charming, and modest story, which he ended by expressing his gratitude for being considered in the same league as other world conquering bands, all of which must have been designed to remind fans and critics alike of just how big this band has become.

If you can't gather this by now, I loved Coldplay's concert. This was my third such experience, and every one has provided a different experience, but also has given me a new lease on my love for this band and the wonderful music they have consistently made. If you get a chance next time they are in a town near you, do not hesitate in buying a ticket.

Set list below:
Life In Technicolor
Violet Hill
Clocks
In My Place
Yellow / You're The Voice (John Farnham cover)
Glass Of Water
Cemeteries Of London
42
Fix You
Strawberry Swing
God Put A Smile Upon Your Face (techno version)
Talk (techno version)
The Hardest Part (Chris piano, Will)
Postcards From Far Away (piano instrumental)
Viva La VidaLost!Green Eyes (acoustic)
I'm A Believer (The Monkees' Cover - acoustic)
Death Will Never Conquer (acoustic - Will vocals)
Viva La Vida (remix interlude)
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Politik
Lovers In Japan
Death And All His Friends
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The Scientist
Life in Technicolor ii
The Escapist (outro)



CB



With U2 having released their latest album last week, VB and I were talking the other day about how little hype this album has gotten (in comparison to the hype surrounding other bands such as Coldplay or Kings of Leon). While I might put it down to economic times putting a strain on the marketing budget for "the biggest band in the world," VB had a very different take - that old bands are losing their relevance.

Rather than dismiss this idea offhand, I thought about it a bit more, and decided to put down some arguments both for and against those old fellows still traipsing the world on tour, or hitting the recording studio.

Can a band that sung political songs in the 70s or 80s still hold relevance for anyone except the baby boomer and generation xers who grew up listening to them? Can a song such as My Generation by The Who still be relevant to the most important demographic - young people with high disposable income? The answer for the most part is no. But more to the point, did anyone care that The Rolling Stones made a new album only 4 years ago? I was lucky enough to see this epic band only a few years ago, and I would have been bitterly diappointed to see them play anything but the hits from their back catalogue. 

I think that a lot of hype is still given to the great rock and rollers of old for their past deeds, with some music critics gushing about anything new they have done without really listening to its musical worth. Considering how much new music there is coming out in this digital age, there is a strong argument for looking for the new talent rather than relying upon the old.

On the flip side there is a reason that these old timers keep going, however. People still want to see them, hell, I still want to see them. And for the truly genius ones amongst them, there is still very good reasons to listen to the new music being made. Bob Dylan has made some of his  most critically acclaimed music in recent years, and has been touring almost non stop. Ropert Plant has reinvented himself on his album 'Raising Sand' with Allison Kraus. And, as a result of some accounting misfortunes, Leonard Cohen has just finished a sold out tour of Australia. In Leonard's case, the majority of tickets were bought by the baby boomers, but it suggests that there is still room for these guys in a crowded musical market.

I think the most important thing when thinking about this is to identify the bands that you would truly miss if they were to stop touring and making music. I still was hanging out to hear U2's new music. I couldn't care less if Guns and Roses ever make a new song again. For me, the difference is as simple as that.

As usual send us your thoughts or send us an email at 2bearsrs@gmail.com.

CB

VB's U2 Mixtape


In honour of U2’s latest album No Line On The Horizon leaking from its own record label 2 weeks before its released I present you with my U2 mixtape!



1. City of Blinding Lights
2. Beautiful Day
3. Angel of Harlem
4. With or Without You
5. All Because of You
6. Vertigo
7. Desire
8. Mysterious Ways
9. Sunday Bloody SundayPride (In The Name)




U2 Mixtape

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