Showing posts with label Wolfmother. Show all posts
Showing posts with label Wolfmother. Show all posts

In a similar vein to a previous post looking at ageing rockers, I have been thinking recently about the virtues of artists or bands that choose to (or are forced to) retire after only one album. Those who are forced are generally speaking called "one-hit wonders", and while this is accurate it often comes with a negative connotation, an expectation that they should have gone on to make many more popular songs, why should artists not be happy that they have been able to make even one good song considering how many of us will never come close?


Not to deny that there is a lot of good music (we wouldn't be writing this blog if there wasn't), there is a difference between goodness and greatness, and a difference between greatness and genius. Amidst the thousands upon thousands of bands and artists that have come and gone, there are only a few that have demonstrated genius over a long time.


Music is literally everywhere today. The rise of the iPod has allowed people to easily create a soundtrack to their lives, and it is easier than ever before for people to create music in the comfort of their own home. In this climate of musical saturation many artists can release multiple albums off the back of one good song, and thanks to commercialism we will continue to buy the albums as they come out. While I believe that pop music is the most guilty of this crime, rock, indy, and electronica all fall foul of repetition.


I personally like the idea of artists or bands setting themselves an end date for their musical career. The Streets is a prominent example, with Mike Skinner having announced early in the bands career that they would be releasing only 5 albums. I am sure that Mike will stay in music, but to have the conviction to call it quits on his own terms is admirable.


Sometimes bands are given their opportunity to quit while they are ahead, and yet ambition, pressures from others, or even greed push them to do one more song, album, or tour. There has been a rash of old rockers returning to the scene in recent years, and I simply cannot see how this improves their image (I am not talking about those artists who have been performing for decades, but rather those who have disbanded for 10 or 20 years only to return in mediocrity).


And then there are bands who make one amazing album, implode, leaving one or two members to pick up the pieces and try and make it work again. INXS was never the same after Hutchence's death. And while I would desperately love to be proven wrong, I fear that the reincarnated Wolfmother will pail in comparison to that amazing first album (although I am a fan of the new single).


So what do you think? Should artists call it quits after one good song, album, or decade? Or should all artists be allowed to continue producing music as long as someone is willing to record it?


CB

The new Wolfmother track - Back Round -  has hit the radio today and Wolfmother have offered it free from their website


Heres a little of them absolutley destroying the speakers at the SCG @ Sound Relief 




Jump over to Wolfmother.com for your free .mp3


Sound Relief at the historical SCG will be remembered for the rain, the good times and the return but most of all it will be tattooed as a proud day in Australian history as a day where the Australian spirit again shone so brightly. This review will focus on the music but Sound Relief was a day, which honoured and remembered the victims & heroes of the Victorian Bushfires and Queensland Floods. If you still haven’t donated please donate just a little, Fires & Floods


Coldplay were the first of 14 acts to shake the SCG.  The crowd were slow to arrive typically fashionably late Sydney style, and those inside at kickoff were treated to a stadium sized version of ‘Yellow’ complete with giant yellow balloons which have been seen at every Coldplay concert recently but seemed to add an extra special feel to the day. 

Coldplay would churn out ‘Clocks’ a historical duet with Australian music’s godfather John Farnham ‘You’re the Voice’ before finishing with a remarkable and epic version of ‘Fix You’.  This felt so suitable to a day that to many could have been such a raw experience. 



Wolfmother returned on perhaps no bigger stage then the SCG next. They would roll out each hit ‘Joker & Thief’, ‘Colossal’ & ‘Woman’ but opened with a superb new tune which will hopefully hear a full studio version of very soon.

The mid-afternoon was a mixed bag. We saw the Hoodoo Guru’s showcase classic Aussie rock with a fine greatest hits collection while Little Birdy returned to the spotlight after time away. While I found these guys to be spectacularly boring, the crowd seemed to peeter out of the arena while they were on to. 

Architecture in Helsinki were next to shake and rattle the SCG and I was incredibly impressed with these guys. I had given them a bad wrap for a long time, just ask CB. AIH put on a spectacular show including a choreographed dance, which was nice to see a band going the extra mile to add a touch of joy to their performance. They busted out That Beep, ‘The Whirlwind’ and other staples from the AIH catalogue, a thoroughly enjoyable 30 minutes which will hopefully see them take the next step.

You Am I & Josh Pyke hit the stage mid afternoon but no one seemed to care too much but both delivered solid sets, You Am I maybe a little too rowdy for such a day one might think.

Taylor Swift swaggered on stage and just about every girl 21 and under screamed their hearts out, it’s a surprise the SCG didn’t shatter. I couldn’t tell you one song she played, cause its not really my scene but she seemed to go down a treat.

As the sun went down and the skies darkened over the SCG, Eskimo Joe returned to the stage with some new material and some old favourites, this Bear only really caught ‘Black Fingernails Red Wine’ which was a corker but the rest didn’t seem too interesting. Sorry Joe. Jet was perhaps the most unanticipated return of the day but for me definitely the most interesting. They smashed out every classic in their catalogue, whole two albums, but it made for a truly wild 45 minutes under lights at the SCG. Who would have ever thought you would be in the middle of the SCG surrounded by thousands of people with Jet on stage?

Toni Collete would introduce the minute of silence which for the most part was successful, its such a shame that the lads cant hold their beer and have to be so disrespectful while showing of to their mates. Kylie would step on stage in Melbourne and sing a spine tingling version of ‘I Still Call Australia Home’ which was broadcast to us via giant video screens side of stage, with followed by a video from Prince William & Harry sending their condolences.  Kinda odd I know. The most spectacular and special musical moment of the day belonged to the Presets.  As they stepped on stage mother nature, obviously a huge fan, decided to send down a massive thunder and lighting storm which lit up the SCG, this was followed by torrential rain which made the show even better. You had to experience this to believe how amazing this was, dancing in the middle of the SCG surrounded by lighting, booming thunder, and rain that soaked you to the bone, it was special and simply awesome. The moment the Presets finished myself and CB left, the whole getting home and being dry seemed a little bit more exciting than Barry Gibb (no disrespect Barry if your reading this) . Bravo Sound Relief.

Sound Relief was special, it was a day where the lads & ladettes were present but respectfully (most of the time) they managed to tone their behaviour down and everyone embraced the spirit of the day. It was a day of celebration and relief but also one of respect and mourning, this was done subtly and throughout the whole day there was no suggestions or thoughts of donations (apart from the price of our tickets) and the bands brought their best on a whims notice.

Till next time

VB & CB!

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