In the past few weeks, a lot has been made of Chris Martin. U2's Bono called him a 'cretin' on BBC Radio, which has raised the long lasting question of where Coldplay stands in the list of "world's biggest band". As Coldplay's fearless leader, Martin has been charged with proving why this group of friends, originally from London, deserve the titles of greatness that have been placed upon them since their early days. I am here to tell you that he manages this feat with charm, confidence and the full support of each member of the band.

At the Acer Arena (formerly the Superdome) at Sydney's Olympic Park, Coldplay reinvigorated my love for not just one or two songs, but their entire catalogue. This was partially done by changing the formula of classics (a more up tempo version of Yellow, and a minimalist, electro version of God Put A Smile On Your Face are two great examples), but mostly from the energy that the band continues to bring to every track. This also shows how Coldplay continue to remain relevant and that’s through adaptation. Of course this could have turned sour - changing a good thing could shock the loyal fans into demons - but thankfully the boys know their audience well enough to push and pull just enough.

Decked out in very cool, Napoleonic military inspired outfits, Coldplay played a set that jumped through all 4 of their albums, as well as dipping into their latest EP, Prospekt's March. The focus was definitely upon Viva la Vida, but there was never a question that the songs that made the band huge - Yellow, The Scientist, Clocks, Fix You - were going to get a play.

The show was choreographed perfectly to bring the crowd to higher and higher still levels of euphoria. Apart from the main stage, there were two runways into the crowd which were used on numerous occasions during the performance (including a beautiful spot lit piano solo by Chris Martin.) During Yellow, confetti filled balloons poured into the crowd, and later still during the show fluorescent coloured, butterfly shaped paper fluttered through the air. However the show stopper was definitely when the crowd walked off the stage, and into the crowd to a mini-stage, previously unnoticed amongst the seats. Between songs played here (including a cover of The Monkees' 'I'm a Believer'), Chris Martin regaled the crowd with a witty, charming, and modest story, which he ended by expressing his gratitude for being considered in the same league as other world conquering bands, all of which must have been designed to remind fans and critics alike of just how big this band has become.

If you can't gather this by now, I loved Coldplay's concert. This was my third such experience, and every one has provided a different experience, but also has given me a new lease on my love for this band and the wonderful music they have consistently made. If you get a chance next time they are in a town near you, do not hesitate in buying a ticket.

Set list below:
Life In Technicolor
Violet Hill
Clocks
In My Place
Yellow / You're The Voice (John Farnham cover)
Glass Of Water
Cemeteries Of London
42
Fix You
Strawberry Swing
God Put A Smile Upon Your Face (techno version)
Talk (techno version)
The Hardest Part (Chris piano, Will)
Postcards From Far Away (piano instrumental)
Viva La VidaLost!Green Eyes (acoustic)
I'm A Believer (The Monkees' Cover - acoustic)
Death Will Never Conquer (acoustic - Will vocals)
Viva La Vida (remix interlude)
------
Politik
Lovers In Japan
Death And All His Friends
-------
The Scientist
Life in Technicolor ii
The Escapist (outro)



CB

The set times and map are all available now, a little late sure, but hey here none the less check them out and be sure to bring the noise, have fun and smile


Set Times and Map - Sydney & Melbourne- Ticketek.com.au

VB & CB

Coming up this weekend in Sydney  & Melbourne are the joint Sound Relief concert series in aid and memory of the horrendous and devastating fires and floods in Victoria and Queensland.

To donate to these please contact

The Red Cross Victorian Bush Fire Appeal (https://www.redcross.org.au/Donations/onlineDonations.asp )

The Premiers Disastier Relief Appeal (http://www.thepremier.qld.gov.au/initiatives/disaster_recovery/relief_appeal.aspx )

Artists playing on the day include:

Sydney

·      Coldplay

·      Taylor Swift

·      The Presets

·      Wolfmother

·      Icehouse

·      Jet

·      Eskimo Joe

·      Architecture in Helsinki

·      Hoodoo Gurus

·      You Am I

·      Josh Pyke

·      Little Birdy

·      + more acts to be announced

Melbourne

·      Augie March

·      Bliss N Eso with Paris

·      Wells

·      Gabriella Cilmi

·      Hunters & Collectors

·      Kasey Chambers & Shane Nicholson with

·      Troy Cassar-Daley

·      Jack Johnson

·      Jet

·      Kings Of Leon

·      Liam Finn

·      Midnight Oil

·      Paul Kelly

·      Split Enz

·      Wolfmother

There are limited tickets available for each show, but please if you cant make the show its being broadcast live on Foxtel, and donate generously.

Music is about emotion and feeling, it goes beyond borders, race, religion and can unite us all, get along to this event and support Australians in need.

 VB & CB

 


Hey everyone,

Just wanted to quickly let you know about Record Day Australia 2009.

“On April 18 2009 the only place to be is your local record store.

In these high-tech days of ipods and downloads, there’s still nothing to beat the thrill of immersing yourself in the atmosphere of a real CD and record shop, browsing the racks, talking to the staff and taking home an album that will become part of your personal history.

So why bother to have Record Store Day Australia?

Hear what the giants of the Australian music industry say about the importance of supporting your specialist music stores.

Daryl Braithwaite loves the excitement of big record store promotions and remembers the huge impact they had on him.

“I had the thrill of being around in The Beatles period, and I remember specifically Sgt Pepper and being able to walk into a store, seeing the big promotion with people queued up – it was great! You connected with the music. Then it was a thrill seeing my own stuff in the stores both in my Sherbert days and also with The Edge. People would look at the cover, then look at me and recognise me – you don’t get this shopping experience online,” Daryl reminisced.

Kram from Spiderbait is another passionate believer in record stores.

“I still like having things on vinyl and I love record stores. The whole experience of searching is probably more important than getting the stuff. I really dig record stores – I always will.”

And it’s not just the artists who are convinced of the value of Record Store Day Australia. Record store owners from Perth to Traralgon to Wollongong, and everywhere in between, love the fact that this is a chance to really celebrate the value of music in Australian stores and support the artists that create it.

Events like Record Store Day Australia don’t just happen by magic, and Australia is fortunate to have a strong Australian Music Retailers Association (AMRA) to represent the specialist recorded music stores of Australia.

Thanks to AMRA members, there is still a huge amount of music sold through specialist record stores:

·      More than $9 of every $10 paid for music in Australia is spent on physical product

·      Physical product remains the format of choice for music lovers and collectors.  Albums are 65 times more popular on CD or DVD than as a download.

So many Australian independent record stores are involved in Record Store Day Australia that we can’t list them here, but you can check them out at www.recordstoreday.com.au

And for the latest news about Record Store Day Australia and interviews with artists, log on to www.undercover.com.au

A quick shout out to our mate and follower Barto for giving us a head’s up on this too!

Please get behind your local record store, even if it is a global mega chain, the artists and bands need our support to keep making music, get to gigs and keep buying their product cause that’s the only way the artist will ever get paid.

VB



With U2 having released their latest album last week, VB and I were talking the other day about how little hype this album has gotten (in comparison to the hype surrounding other bands such as Coldplay or Kings of Leon). While I might put it down to economic times putting a strain on the marketing budget for "the biggest band in the world," VB had a very different take - that old bands are losing their relevance.

Rather than dismiss this idea offhand, I thought about it a bit more, and decided to put down some arguments both for and against those old fellows still traipsing the world on tour, or hitting the recording studio.

Can a band that sung political songs in the 70s or 80s still hold relevance for anyone except the baby boomer and generation xers who grew up listening to them? Can a song such as My Generation by The Who still be relevant to the most important demographic - young people with high disposable income? The answer for the most part is no. But more to the point, did anyone care that The Rolling Stones made a new album only 4 years ago? I was lucky enough to see this epic band only a few years ago, and I would have been bitterly diappointed to see them play anything but the hits from their back catalogue. 

I think that a lot of hype is still given to the great rock and rollers of old for their past deeds, with some music critics gushing about anything new they have done without really listening to its musical worth. Considering how much new music there is coming out in this digital age, there is a strong argument for looking for the new talent rather than relying upon the old.

On the flip side there is a reason that these old timers keep going, however. People still want to see them, hell, I still want to see them. And for the truly genius ones amongst them, there is still very good reasons to listen to the new music being made. Bob Dylan has made some of his  most critically acclaimed music in recent years, and has been touring almost non stop. Ropert Plant has reinvented himself on his album 'Raising Sand' with Allison Kraus. And, as a result of some accounting misfortunes, Leonard Cohen has just finished a sold out tour of Australia. In Leonard's case, the majority of tickets were bought by the baby boomers, but it suggests that there is still room for these guys in a crowded musical market.

I think the most important thing when thinking about this is to identify the bands that you would truly miss if they were to stop touring and making music. I still was hanging out to hear U2's new music. I couldn't care less if Guns and Roses ever make a new song again. For me, the difference is as simple as that.

As usual send us your thoughts or send us an email at 2bearsrs@gmail.com.

CB




So ahhh.... Kanye has had another moment of brilliance, it is really amazing Kanye is the simply the coolest kid out there. 

Kanye is God's Vessel.  
Kanye unveiled that, like George W Bush before him, he believes he has a direct line to a divine power. And that he's merely as a conduit.

"God chose me. He made a path for me. I am God's vessel. But my greatest pain in life is that I will never be able to see myself perform live." 


We've seen you play Kanye. You were good. When you weren't telling a fan to "eat shit and die" (turn the other cheek, etc etc). But seriously - take it from us - don't beat yourself up about it.

He also told the TV Show why his ego is so out of control.  

"I do have an ego and rightfully so. I think people should have an ego. Think about it - I don't offend people, I don't put anyone down. Do I name names or bring people down? That's not my thing. But I give myself big-ups. I feel good about the music I make."


Source: The Vine  

I understand we cant all bow down to the Lord,  or Buddha but Kanye is one deity I can worship .....


VB

Hi.

Here are some new tracks floating around we thought you might be interested in.


Enjoy!








VB

Hello all you TwoBears readers!


In the interests of laziness, here is the first "month or so late album review". First off the rank is Franz Ferdinand's Tonight: Franz Ferdinand.


The Glasgow based band have held a coveted position as revolutionaries of rock, and have always prided themselves on the ability of making music for "girls to dance to." Their debut, self titled, effort had a stream of hits that found a huge and different fan base. The second album, You Could Have It So Much Better was well received, although a different direction was definitely being pushed. Personally, I love the second album - particularly the far from dancy Eleanor Put Your Boots On.


The third album shows a band that is comfortable enough in its ability to make good music that they have taken some risks, the vast majority of which have worked. Tonight is the most appropriate name for this album; the tracks take the listener through one long, sometimes seedy, sometimes romantic, and always rollicking night out with the Franz Ferdinand boys.


The album has clearly been crafted with live performances in mind, and speaking from the experience of having seen them break out Ulysses at the Falls Festival, this is a very good thing for those lucky enough to see a guy by these guys.


The first three songs of the album (Ulysses, Turn It On, No You Girls) set the pace for the album, and reveal just how much rockier the band has become for this outing - driving electric guitar riffs dominate in the tracks in the same way that they stood out in Take Me Out.


In the months leading up to the release of the album, Franz released Lucid Dreams. The track of the same name on the album bears very little resemblance to the single, and at first listen I thought this was something of a mistake. However, having had a month (see I knew there was logic in my tardiness!) to listen and re-listen to the album, this track has come way up the list to become my favourite track behind Ulysses. It is psychedelic and takes you on a journey that suits the title name, and the electro ending (from 4:30 onwards) is incredibly different from anything the boys have ever done, and I think it really works.


Tonight: Franz Ferdinand is another success for the band, and has given them a handful more dance hits to wow crowds with at gigs. Come back soon boys!


Ulysses - Franz Ferdinand

CB

VB's U2 Mixtape


In honour of U2’s latest album No Line On The Horizon leaking from its own record label 2 weeks before its released I present you with my U2 mixtape!



1. City of Blinding Lights
2. Beautiful Day
3. Angel of Harlem
4. With or Without You
5. All Because of You
6. Vertigo
7. Desire
8. Mysterious Ways
9. Sunday Bloody SundayPride (In The Name)




U2 Mixtape


Classic Album of the Month;         The Doors- Self Titled



Just years before the rock monolith known as Led Zeppelin arrived via flaming Hindenburg The Doors slid quietly in the backdoor with their debut album released in February 1967 . This is often regarded as one , if not, of the most complete debut albums ever.

Although released in February ’67 the album didn’t explode until June & July that year. By July 29 ‘Light My Fire’ was sitting atop the Billboard charts, a remarkable achievement during a time when charts were intangible. The debut only produced 2 official singles; it included many anthems, particularly ‘The End’ which featured prominently in Apocalypse Now. ‘Break on Through’ was the first single released by The Doors and it was dark and brooding journey a perfect example of The Doors ‘sound’. 

The Doors arrival was a perfect display of the free spirited 60’s and the dark foreboding 1970’s. The mystical Jim Morrison sauntered around onstage with a mythical prowl while keyboardist and chief musician Ray Manzarek met the eccentric nature of Morrison with avant-garde jazz rock fused together with a bluesy garage rock. This bluesy pulsating jazz rock infiltrates the entire LP. Characters like Jim , Kurt Cobain, Elvis and Daniel Johns have the ability to relate the unrelated in a strange but coherent manner. They are enigmatic characters, their charisma sucks us in and their journey swallows us.

The 1st half of the LP concludes with the full uncensored unedited 7 minute ‘Light My Fire’, including guitar and organ solo’s. The album concludes with “End of the Night” & ‘ The End’ . “End of the Night” is a eerie ghostly ramble which might be the only blemish on this album. While ‘The End ‘ is the crescendo this album deserves, an intense, bitter, poetical conclusion. Its 11-minute progression is honest and brutal in delivery dispelling any idea that The Doors were a manufactured pop group. Its interesting to note that this group of dark avant-garde rock musicians battled the sugary synthetic pop of the Monkee’s atop the charts. In the same month that this album was released the Monkee’s reigned supreme with ‘I’m a believer’. This is a fantastic example of battle of musical ideologies and standards prevalent in the late ‘60’s. This is one of my favourite albums of all time, although, I’m biased. This album goes beyond an album and represents a crucial piece of musical culture, it should be enjoyed and marveled. 

VB.

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